Different Emotions of Love...

There are Four different emotions of love...
1)Eroticism...
2)Platonic love...
3)Familial love...
4)Romance...

Eroticism

Eroticism is an aesthetic focus on sexual desire, especially the feelings of anticipation of sexual activity. It is not only the state of arousal and anticipation, but also the attempt through various means to incite those feelings.

History

The word "eroticism" is derived from the name of the Greek god of love, Eros, or Cupid. It is conceived as sensual love or the human sex drive. Philosophers and theologians discern four kinds of love: eros, philia, physio, and agape. Of the four, eros is considered the most egocentric, focusing on care for the self.Ancient Greek philosophy’s overturning of mythology defines in many ways our understanding of the heightened aesthetic sense in eroticism and the question of sexuality. Eros was after all the primordial god of unhinged sexual desire in addition to heteroeroticism, which is the yearning of sexual desire from the opposite sex. In the Platonic ordered system of ideal forms, Eros corresponds to the subject's yearning for ideal beauty and finality. It is the harmonious unification not only between bodies, but between knowledge and pleasure. Eros takes an almost transcendent manifestation when the subject seeks to go beyond itself and form a communion with the objectival other. The French philosopher Georges Bataille believed eroticism was a movement towards the limits of our own subjectivity and humanity, a transgression that dissolves the rational world but is always temporary.Yet an objection to eros and erotic representation is that it fosters a subject/object relationship in which the object of desire is mere projection of the needs of desiring subject. Love as eros is considered more base than philia (friendship) or agape (self-sacrificing love). But erotic engagement paradoxically individuates and de-individuates the desirer.The third kind of love, physio, is directly related with the amount of sex drive that the brain feels upon encountering an erotic moment.Some believe defining eroticism may be difficult since perceptions of what is erotic fluctuate. For example, a voluptuous nude painting by Peter Paul Rubens could have been considered erotic when it was created for a private patron in the 17th century. Similarly in the United Kingdom and United States, D. H. Lawrence's sexually explicit novel Lady Chatterley's Lover was considered obscene and unfit for publication and circulation in many nations thirty years after it was completed in 1928, but may now be part of standard literary school texts in some areas. In a different context, a sculpture of a phallus in Africa may be considered a traditional symbol of potency though not overtly erotic.

Platonic love

Platonic love, in its modern popular sense, is a non-sexual affectionate relationship. A simple example of Platonic relationships is a deep, non-sexual friendship, not subject to gender pairings and including close relatives.At the same time, this interpretation is a misunderstanding of the nature of the Platonic ideal of love which from its origin was that of a chaste but passionate love, based not on lack of erotic interest but on spiritual transmutation of the sex force, opening up vast expanses of subtler enjoyments than sex.In its original Platonic form, this love was meant to bring the lovers closer to wisdom and the Platonic Form of Beauty. It is described in depth in Plato's Phaedrus and Symposium, where the examples given refer exclusively to the love between a man and a boy. In the Phaedrus, it is said to be a form of divine madness that is a gift from the gods, and that its proper expression is rewarded by the gods in the afterlife; in the Symposium, the method by which love takes one to the form of beauty and wisdom is detailed

Familial love

Sister & Brother

In sociology, storge is a type of affinity or natural affection felt between members of a group bound by common ancestry or blood ties, or through friendship and care. Familial love can also be experienced through kindhearted teachers to their students too. The cultural ideal of familial love is one that is committed, unconditional, selfless, emotionally full, and reciprocally returned by the other.It is not necessary for anybody to be actually related by blood relationship to develop this type of love towards anyone. Simply, it can be felt towards any one with whom one is sharing one's time.

Love Between Family Members

Romance

Romance is a general term that refers to the attempt to express love with words or deeds. It also refers to a feeling of excitement associated with love. Within the context of "romantic love" relationships it usually implies an expression of one's love, or one's deep emotional desires to connect with another person, especially when that love is platonic, that is, when sexual drive is sublimated into artful expression of desire.Historically, the term "romance" originates with the medieval ideal of chivalry as set out in the Romance literature of the time

Within a relationship

Romantic love is a relative term, that distinguishes moments and situations within interpersonal relationships. There is often, initially, more emphasis on the emotions (especially those of love, intimacy, compassion, appreciation, and general "liking") rather than physical pleasure. But romantic love in the abstract sense of the term, is traditionally referred to as involving a mix of emotional and sexual desire for another as a person. However, Lisa Diamond, a University of Utah psychology professor, proposes that sexual desire and romantic love are functionally independent and also, as an additional claim to the topic, that romantic love is not intrinsically oriented to same-gender or other-gender partners; and that the links between love and desire are bidirectional as opposed to unilateral. Furthermore, Diamond does not state that one's sex has priority over another sex (a male or female) in romantic love because, as already mentioned, her theory suggests it is possible for someone who is homosexual to fall in love with someone of the opposite gender, and for someone who is heterosexual to fall in love with someone of the same gender.If one thinks of romantic love not as simply erotic freedom and expression, but as a breaking of that expression from a prescribed custom, romantic love is modern. There may have been a tension in primitive societies between marriage and the erotic, but this was mostly expressed in taboos regarding the menstrual cycle and birth.Before the 18th century, as now, there were many marriages that were not arranged, and arose out of more or less spontaneous relationships. But also after the 18th century, illicit relationships took on a more independent role. In bourgeois marriage, illicitness may have become more formidable and likely to cause tension.[citation needed] In Ladies of the Leisure Class, Bonnie G. Smith depicts courtship and marriage rituals that may be viewed as oppressive to both men and women. She writes "When the young women of the Nord married, they did so without illusions of love and romance. They acted within a framework of concern for the reproduction of bloodlines according to financial, professional, and sometimes political interests." Subsequent sexual revolution has lessened the conflicts arising out of liberalism, but not eliminated them.Anthropologists such as Claude Levi-Strauss show that there were complex forms of courtship in ancient as well as contemporary primitive societies. But there may not be evidence that members of such societies formed love relationships distinct from their established customs in a way that would parallel modern romance.Romantic love is then a relative term within any sexual relationship, but not relative when considered in contrast with custom. Within an existing relationship romantic love can be defined as a temporary freeing or optimizing of intimacy, either in a particularly luxurious manner (or the opposite as in the "natural"), or perhaps in greater spirituality, irony, or peril to the relationship. It may seem like a contradiction that romance is opposed to spirituality and yet would be strengthened by it, but the fleeting quality of romance might stand out in greater clarity as a couple explore a higher meaning.[citation needed]The cultural traditions of marriage and betrothal are the most basic customs in conflict with romance[citation needed], however it is possible that romance and love can exist between the partners within those customs. Shakespeare and Kierkegaard describe similar viewpoints, to the effect that marriage and romance are not harmoniously in tune with each other. In Measure for Measure, for example, "...there has not been, nor is there at this point, any display of affection between Isabella and the Duke, if by affection we mean something concerned with sexual attraction. The two at the end of the play love each other as they love virtue."Isabella, like all women, needs love, and she may reject marriage with the Duke because he seeks to beget an heir with her for her virtues, and she is not happy with the limited kind of love that implies. Shakespeare is arguing that marriage because of its purity can not simply incorporate romance. The extramarital nature of romance is also clarified by John Updike in his novel Gertrude and Claudius, as well as by Hamlet. It is also found in the film Braveheart, or rather in the life of Isabella of France.Romance can also be tragic in its conflict with society. Tolstoy also focuses on the romantic limitations of marriage, and Anna Karenina prefers death to being married to her fiancée. Furthermore, in the speech about marriage that is given in Kierkegaard's Either/Or, Kierkegaard attempts to show that it is because marriage is lacking in passion fundamentally, that the nature of marriage, unlike romance, is explainable by a man who has experience of neither marriage nor love.In the following excerpt, from Shakespeares Romeo and Juliet, Romeo, in saying "all combined, save what thou must combine By holy marriage" implies that it is not marriage with Juliet that he seeks but simply to be joined with her romantically. That "I pray That thou consent to marry us" implies that the marriage means the removal of the social obstacle between the two opposing families, not that marriage is sought by Romeo with Juliet for any other particular reason, as adding to their love or giving it any more meaning.
"Then plainly know my heart's dear love is set On the fair daughter of rich Capulet: As mine on hers, so hers is set on mine; And all combined, save what thou must combine By holy marriage: when and where and how We met, we woo'd and made exchange of vow, I'll tell thee as we pass; but this I pray, That thou consent to marry us to-day." --Romeo and Juliet, Act II, Scene IIRomantic love, however, may also be classified according to two categories, "popular romance" and "divine"(or "spiritual") romance. Popular romance may include but is not limited to the following types: idealistic, normal intense (such as the emotional aspect of "falling in love"), predictable as well as unpredictable, consuming (meaning consuming of time, energy and emotional withdrawals and bids), intense but out of control (such as the aspect of "falling out of love") material and commercial (such as societal gain mentioned in a later section of this article), physical and sexual, and finally grand and demonstrative. Divine (or spiritual) romance may include, but is not limited to these following types: realistic, as well as plausible unrealistic, optimistic as well as pessimistic (depending upon the particular beliefs held by each person within the relationship.), abiding (e.g. the theory that each person had a predetermined stance as an agent of choice; such as "choosing a husband" or "choosing a soul mate."), non-abiding (e.g. the theory that we do not choose our actions, and therefore our romantic love involvement has been drawn from sources outside of ourselves), predictable as well as unpredictable, self control (such as obedience and sacrifice within the context of the relationship) or lack thereof (such as disobedience within the context of the relationship), emotional and personal, soulful (in the theory that the mind, soul, and body, are one connected entity), intimate, and infinite (such as the idea that love itself or the love of a god or God's "unconditional" love is or could be everlasting, if particular beliefs were, in fact, true.)

Historical definition of romantic love

The concept of romantic love was popularized in Western culture by the game of courtly love. Troubadours in the Middle Ages engaged in (usually extramarital) trysts with women as a game created for fun - and not for marriage. Since at the time marriage had little to do with love, courtly love was a way for people to express the love not found in their marriage. "Lovers" in the context of courtly love did not refer to sex, but rather the act of emotional loving. These "lovers" had short trysts in secret, which escalated mentally, but never physically. Rules of the game were even codified. For example, De amore (or The Art of Courtly Love, as it is known in English) written in the 12th century lists such rules as "Marriage is no real excuse for not loving", "He who is not jealous cannot love", "No one can be bound by a double love", and "When made public love rarely endures".Some believe that romantic love evolved independently in multiple cultures. For example, in an article presented by Henry Gruenbaum, he argues "therapists mistakenly believe that romantic love is a phenomenon unique to Western cultures and first expressed by the troubadours of the Middle Ages".Historians believe that the actual English word "romance" developed from a vernacular dialect within the French language, meaning "verse narritve", referring to the style of speech and writing, and artistic talents within elite classes. The word was originally an adverb of sorts, which was of the Latin origin "Romanicus", meaning "of the Roman style", "like the Romans" (see Roman.) The connecting notion is that European medieval vernacular tales were usually about chivalric adventure, not combining the idea of love until late into the seventeenth century. The word "romance", or the equivalent thereof also has developed with other meanings in other languages, such as the early nineteenth century Spanish and Italian definitions of "adventurous" and "passionate", sometimes combining the idea of "love affair" or "idealistic quality."The more current and Western traditional terminology meaning "court as lover" or the general idea of "romantic love" is believed to have originated in the late nineteenth and early twentieth centuries, primarily from that of the French culture. This idea is what has spurred the connection between the words "romantic" and "lover", thus coining the English phrase "romantic love" (i.e "loving like the Romans do".) But the precise origins of such a connection are unknown. Although the word "romance", or the equivalents thereof, may not have the same connotation in other cultures, the general idea of "romantic love" appears to have crossed cultures at one point in time or another.

Gender differences and romance

Love between opposite gender Love between same gender Love between same gender

John Gray is noted primarily for his claims that gender differences are the primary cause for many of the conflicts, problems, or issues between people of opposite sex in romantic relationships. However, in most of his material, he neglects to mention instances that are similar between parties of same sex not involved romantically. John Gray does not seem to argue for differences in training, education, personal beliefs systems, personal experiences and attributive personality traits as being a collective unit of causes toward disruptions, disputes, and conflicts in any type of relationship; rather, he focuses his theories primarily on the more traditional approach of gender based stereotypes. One factor, however, that is an observable trait dealing with gender differences is that of physical appearance. In fact, in terms of physical appearance, the concerns about attractiveness vary so widely between the sexes that it is difficult to examine the specific terms and variables common to both genders. But if we were to observe human behavior only, there are certain trait characteristics that can be viewed as identical and/or similar between opposite sexes, whether involved romantically or not. The geniality and humanness characteristic of a society, however, appear to always cross gender boundaries at some level. In Men Are From Mars, Women Are From Venus Gray argued for reciprocity, by focusing on gender differences. In this way he popularized the view that men and women have special emotional needs belonging to their sex, and that an understanding of these might contribute to the conditions for relationships, and so also to romance.Several MRI studies have been conducted to discover the reaction of subjects to images of an individual with whom they are in love. Scientists found that "love" activated the right ventral tegmental area (VTA) and dorsal caudate body of the brain, which are regions associated with motivation to win a reward. Sorely lacking in these studies, however, is an investigation into the ways that different genders' brains react to love.

Common practices of romance

Common practices of romance include:

• Holding hands or walking hand in hand


• Private conversations (including distant ones over the phone, by written communication or even internet)

• Kissing and hugging



• Dancing
  

  

• Eatingtogether
  
  
  
• Watching television

• Sleeping together



• Physical intimacy
  

The philosophy of romantic love

Greek philosophers and authors had many theories of love, some of which are presented in Plato's Symposium where six Athenian friends including Socrates drink wine and each give a speech praising the deity Eros. When his turn comes, Aristophanes says in his mythical speech that sexual partners seek each other because they are descended from beings with spherical torsos, two sets of human limbs, genitalia on each side, and two faces back to back. Their three forms included the three permutations of pairs of gender (i.e. one masculine and masculine, another feminine and feminine, and the third masculine and feminine) and they were split by the gods to thwart the creatures' assault on heaven, recapitulated, according to the comic playwright, in other myths such as the Aloadae. This story is relevant to modern romance partly because of the image of reciprocity it shows between the sexes. In the final speech before Alcibiades arrives, Socrates gives his encomium of love and desire as a lack of being, namely, the being or form of beauty. Deleuze linked this idea of love as a lack mainly to Freud, and Deleuze often criticized it.Attraction, often based simply on common interests, can also appear mysterious and irrational, but therapists and support groups of many kinds attempt to analyze the process. Though there are many theories of romantic love such as that of Robert Sternberg in which it is merely a mean combining liking and sexual desire, the major theories involve far more insight. For most of the 20th century, Freud's theory of the family drama dominated theories of romance and sexual relationships. This has given rise to a few counter-theories. Theorists like Deleuze counter Freud and Lacan by attempting to return to a more naturalistic philosophy.René Girard, for example, argues that romantic attraction is a product of rivalry, particularly in a triangular form, a view mostly popularized in Girard's theory of mimetic desire, controversial because of its alleged sexism. The view has to some extent supplanted its predecessor, Freudian Oedipal theory. It may find even some spurious support in the supposed attraction of women to "bad" men, i.e., implying the deflection of male aggression back toward a man and his rival, rather than their beloved. As a technique of attraction, often combined with irony, it is sometimes advised that one feign toughness and disinterest, but it can be a trivial or crude idea to promulgate to men, and it is not given with much understanding of mimetic desire in mind.Girard, in any case, downplays romance's individuality in favor of jealousy and the love triangle, arguing that romantic attraction arises primarily in the observed attraction between two others. A natural objection is that this is circular reasoning, but Girard means that a small measure of attraction reaches a critical point insofar as it is caught up in mimesis. Shakespeare's A Midsummer Night's Dream, As You Like It, and The Winter's Tale are the best known examples. Mimetic desire is often challenged by feminists, such as Toril Moi,who argue that it does not account for the woman as inherently desired.Though the centrality of rivalry is not itself a cynical view, it does emphasize the mechanical in love relations. In that sense, it does resonate with capitalism and a cynicism native to post-modernity. Romance, in this context, for example, leans more on fashion and irony, though these were important for it in less emancipated times. Sexual revolutions have brought change to these areas. Wit or irony therefore ecompass an instability of romance that is not entirely new but has a more central social role, fine-tuned to certain modern peculiarities and subversion originating in various social revolutions, culminating mostly in the 1960s.The process of courtship also contributed to Schopenhauer's pessimism, despite his own romantic success,and he argued that to be rid of the challenge of courtship would drive people to suicide with boredom. Individuals seek partners who share certain interests and tastes, while at the same time looking for a "complement" or completing of themselves in a partner, in the cliché that "opposites attract."

The psychology of love

Anthropologist Helen Fisher, Ph.D., in her book “Why We Love,” uses brain scans to show that love is the product of a chemical reaction in the brain. Norepinephrine and dopamine, among other chemicals, are responsible for excitement and bliss in humans as well as non-human animals. She concludes that these reactions have a genetic basis, and therefore love is a natural drive as powerful as hunger.Anthropologist John Townsend, in his book “What Women Want, What Men Want,” takes the genetic basis of love one step further by identifying how the sexes are different in their predispositions. His compilation of various research projects concludes that men are susceptible to youth and beauty, whereas women are susceptible to status and security. These differences are part of a natural selection process where males seek many healthy women of childbearing age which will mother progenies, whereas women seek men who are willing and able to take care of them and their children.Other researchers have focused on opposing forces in human love. Psychologist Karen Horney, M.D., in her article “The Problem of the Monogamous Ideal” indicates that the overestimation of love leads to disillusionment; the desire to possess the partner results in the partner wanting to escape; and the taboos against sex result in unfulfillment. Disillusionment plus the desire to escape plus unfulfillment result in a secret hostility, which causes the other partner to feel alienated. Secret hostility in one and secret alienation in the other cause the partners to secretly hate each other. This secret hate often leads one or the other or both to seek love objects outside the marriage or relationship.Psychologist Harold Bessell, Ph.D, in his book “The Love Test” reconciles the opposing forces noted by the above researchers and shows that there are two factors that determine the quality of a relationship. People are drawn together by a force which he calls “romantic attraction,” which is a combination of genetic and cultural factors. This force may be weak or strong, and may be felt to different degrees by each of the two love partners. The other factor is “emotional maturity,” which is the degree to which a person is capable of providing good treatment in a love relationship. Thus an immature person is more likely to overestimate love, become disillusioned, and have an affair, whereas a mature person is more likely to see the relationship in realistic terms, and act constructively to work out problems.Research by the University of Pavia suggests that romantic love lasts for about a year, and then it is replaced by a more stable form of love called companionate love.In companionate love, changes occur from the early stage of love to when the relationship becomes more established and romantic feelings seem to end. However research by the Stony Brook University in New York suggests that some couples keep romantic feelings alive for much longer.

Romance and value

Even though there often appears to be traces of romance and love being intertwined in various cultures and societies throughout history, Gary Zukav, best selling author of Seat of the Soul and Soul Stories, views romantic love as being an illusion, stating that the concept of romantic love can never be truly fulfilling. He states that "Romance is your desire to make yourself complete through another person rather than through your own inner work.", thus isolating the idea of romance from the concept of "true love." His argument is that "real love" is more beneficial than romantic involvement alone.Romantic love may, then, be a sexual love that attempts to transcend, in some cases entirely, mere needs driven by physical appearances, lust, or material and social gain. This transcending, ultimately, implies not just that personality is more essential, which could be considered a truism, and a view that might appear without much regard to virtue, ranging from the noble to the most shallow character. Rather, romance tends to strive to see, or suppose it can see, personality as attractive in a fundamentally higher sense. In some religions, all forms of love (and art) may be regarded as indirectly seeking God--and therefore adding to a relationship with God--whereas at the same time, such lesser objects of love are sometimes regarded as distinct from God and an obstacle in the path of spirituality.Not only theologians, but many philosophers debate this, especially in continental philosophy, in existentialism, and in analytic philosophy, in views such as emotivism. Things lesser than personality, however, as well as the practical aspects of personality, always play a role in romance's arousal and justification.Romance then, raises questions of emotivism (or in a more pejorative sense, nihilism) such as whether spiritual attraction, of the world, might not actually rise above or distinguish itself from that of the body or aesthetic sensibility. While Buddha taught a philosophy of compassion and love, still in his philosophy of anatman or non-self spiritual appearances are of a piece with the world and essentially empty. The contradiction between compassion and anatman seems to be a part of Buddhism. In that case a seemingly negative insight can result in very different overall views, for example if one compares Buddha and Shakespeare with Nietzsche. Kierkegaard also addressed these ideas in works such as Either/Or and Stages on Life's Way.Romantic love is contrasted with platonic love which in all usages precludes sexual relations, yet only in the modern usage does it take on a fully asexual sense, rather than the classical sense in which sexual drives are sublimated. Sublimation tends to be forgotten in casual thought about love aside from its emergence in psychoanalysis and Nietzsche. Unrequited love can be romantic, if only in a comic or tragic sense, or in the sense that sublimation itself is comparable to romance, where the spirituality of both art and egalitarian ideals is combined with strong character and emotions. This situation is typical of the period of romanticism, but that term is distinct from any romance that might arise within it.

Tragedy and other social issues of romance

The "tragic" contradiction between romance and society is most forcibly portrayed in Tolstoy's Anna Karenina, in Flaubert's Madame Bovary, and William Shakespeare's Romeo and Juliet. The female protagonists in such stories are driven to suicide as if dying for a cause of freedom from various oppressions of marriage. Even after sexual revolutions, on the other hand, to the extent that it does not lead to procreation (or child-rearing, as it also might exist in same-sex marriage), romance remains peripheral, though it may have virtues in the relief of stress, as a source of inspiration or adventure, or in development and the strengthening of certain social relations. It is difficult to imagine such tragic heroines, however, as having such practical considerations in mind."Romantic," as implied above, has both the connotations of courtly love and urgent, mutual physical desire, or both spirituality and superficiality. A parallel division occurs in marriage, where sexual relations prepare for and harmonize with later responsibilities. In marriage this combination is considered potentially harmonious, whereas in romance taken by itself the role of spirituality tends to be discordant. The synonymous "erotic" has a more unequivocal connotation.Reciprocity of the sexes appears in the ancient world primarily in myth (where it is in fact often the subject of tragedy, for example in the myths of Theseus and Atalanta). Noteworthy female freedom or power was then the exception rather than the rule, though this is a matter of speculation and debate. At the same time Christianity has had another effect on romance, by asserting the spirituality of marriage. This is at least slightly ironic, since religion is the origin of much liberation and emancipation.Later modern philosophers such as La Rochefoucauld, Hume and Rousseau also focused on morality, but desire was central to French thought, and Hume himself tended to adopt a French worldview and temperament. Desire in this milieu meant a very general idea termed "the passions," and this general interest was distinct from the contemporary idea of "passionate" now equated with "romantic." Love was a central topic again in the subsequent movement of Romanticism, which focused on such things as absorption in nature and the absolute, as well as platonic and unrequited love in German philosophy and literature.Philosophers and authors interested in the nature of love, which may not have been mentioned in this article are Jane Austen, Stendhal, Schopenhauer, George Meredith, Proust, D. H. Lawrence, Freud, Sartre, de Beauvoir, Hemingway, Henry Miller, Deleuze and Alan Soble. Properties of romantic love include these:

• It cannot be easily controlled.


• It is not overtly (initially at least) predicated on a desire for sex as a physical act.


• If requited, it may be the basis for lifelong commitment.